Showing posts with label english heritage. Show all posts
Showing posts with label english heritage. Show all posts

Wednesday, 5 November 2014

'Stylish' Walpole Bay Cliff Lift Grade II Listed




What a marvellous bit of good news to come home to this evening! English Heritage have approved my application and have designated Walpole Bay's 1934 Art Deco cliff lift at Grade II.

The Advice Report from English Heritage states:

"The Cliff Lift, Queens Promenade is a stylish 1934 Art Deco style concrete cliff lift which survives externally unaltered. It is an example of a very rare building type of which only four examples nationally are currently listed and the published criteria state that these are 'generally listed'. It is comparable with an inter-war cliff lift at Ramsgate which is listed at Grade II. It is part of a series of seaside structures in Cliftonville ranging in date from the early C19 to the 1930s, most of which are listed. It therefore meets the listing criteria for its building type."

The Cliff Lift now joins the recently designated Walpole Bay Tidal Pool at Grade II. Along with the rejection of the de-designation of Walpole Bay for bathing, the future for bathing at Walpole Bay looks ever more secure. If the Walpole Bay Swimmers keep at it they'll still be swimming at Christmas. 

In recent months, residents rallied and undertook the hard work of organising and painting of the lift's sadly dilapidated facade. The indefatigable Kate Harrison, while working as a Community Organiser for Locality, came across local painter and decorator Mark Johnson-Cooper who was eager to work to improve local historic buildings and get them looking better. They got others involved locally. The team was made up entirely of volunteers. Funding for the painting project was through the Community Organiser project and the Margate team that were in place at the time. The Margate Community Organiser team was the result of local residents successfully applying to Locality.
2012
Transformed in 2014:

Photo Ian Venables
There is a dedicated Facebook Group for the lift. Join!

The listing now opens the door for further funding opportunities for this stretch of Cliftonville seafront. It's one of only four listed cliff lifts nationally. Taken out of service in 2009 when Thanet Council closed it, I hope that the dream of the lift working again and enabling easier access to and from the lower promenade can soon become a reality.
Walpole Bay Tidal Pool
Cliftonville has so many beautiful assets from the era when Britain proudly invested in building facilities for people to enjoy bathing along this unique stretch of coast. Protect them, love them and the community will flourish. They lie on the walking route from Margate Harbour along to the jewel in the crown of Thanet's beaches, Botany Bay and on to Broadstairs. For the last five years this has been a really popular pastime for our guests at our B&B throughout the winter months as well as the summer. This route aka, Cliftonville is the crucial link between the towns of Margate and Broadstairs. It's a place in its own right. Where else can you ride an art deco lift down to a 4 acre tidal pool at the end of your road? Viva Cliftonville!

Thursday, 3 February 2011

Margate Conservation Area Advisory Group praised in new English Heritage publiction


English Heritage have published a new publication: Valuing Places: Good Practice in Conservation.
Our very own Margate CAAG gets a mention as well as a nifty picture of TDC Conservation Officer Louise Dandy and Margate Renewal Partnership's Derek Harding gets a mention too. Check out section 4, page 12.


Ironically, the feature centers on the newly created Dalby Square Conservation Area. But soon after it was designated there was all the hoo-hah over the loss of the green space at the top end of the square to not very nicely designed houses.

The publication is available as a pdf to download from here:
http://www.english-heritage.org.uk/publications/valuing-places/

Sunday, 29 August 2010

HERITAGE OPEN DAYS COME TO MARGATE




Official TDC press blurb:

"Some of Margate’s many historic buildings and sites will be throwing
open their doors next month (September), as part of Heritage Open
Days.

A total of 12 different venues will be taking part in the initiative,
which runs from Thursday 9 September until Sunday 12 September. It’s
been organised under the banner of Margate Arts, Creativity, Heritage
(MACH), an innovative partnership between English Heritage, the Arts
Council and Thanet District Council.

The four days will include free tours, talks, live music and arts
events, all inspired by Margate’s history and its culture-led
regeneration. Dreamland will be offering a tour of the world famous
former amusement park site and a presentation about its future as the
world’s first heritage amusement park. Margate Museum, the town’s
former police station, will be hosting a performance with a
difference, in the former prison cells, which date from 1858. A live
band will play music from the 60s to commemorate the detention of 51
Mods there following the Whitsun Riots of 1964.

Guided tours will also be available of The Reading Rooms, a luxury
boutique bed and breakfast; St. John’s Parish Church; the Theatre
Royal, which is home to the country’s second oldest working stage; and
the Tom Thumb Theatre, one of the world’s smallest working theatres.

Visitors to the town can also take a look inside the Tudor House;
explore the archives of Margate Baptist Church; take a walking tour of
three squares (Cecil, Hawley and Addington); and can explore Margate
Old Town. Turner Contemporary will be putting on an exhibition in a
pop-up shop, as part of Generate, a project they are working on with
Thanet College, while the Harbour Arm will be showcasing an exhibition
and auction of postcard-sized art, with all proceeds going to the
RNLI.

MACH Project Manager, Sophie Jeffrey, said: “Margate has a special
place in the history books and in many people’s hearts, so we hope
this event, which increases access to historic sites and helps bring
them to life through the arts, will be a big hit. It’s also a great
way to open up a conversation with local people about how we can
secure the long-term future of Margate’s cultural assets.”

The event is being run with help from a group of volunteers, including
the Margate Civic Society. It is hoped that this pilot may lead to
more regular opening of Margate’s historic buildings and, for those in
public ownership, generate sustainable plans for their long-term
future.

For more information on the venues taking part and what they will be
offering, visit www.heritageopendays.org.uk"


Friday, 12 June 2009

Margate Urban Panel Review document for download

The document that marked for restriction and exempt from FOI requests is also available to download:
http://docs.google.com/Doc?id=dftfpjqm_0gtppzmc8&hl=en_GB

Answers on a postcard as to why it was requiring restriction.

Saturday, 30 May 2009

Enforcement Agreement on The Arcadian

As picked up by the Gazette and the new excellent http://thanetpress.blogspot.com/2009/05/agreement-reached-on-eyesore.html an agreement has been arrived at between TDC and the owners of the prominent seafront eyesore of shame, The Arcadian. It's been an eyesore for many years and time will tell if this time, the building really will be brought back to former glory.

If The Arcadian and next door Fort Hotel were renovated and brought back into use, then by all accounts this would fit with requirement for centrally located, high quality hotel accommodation in the vicinity of the Turner Contemporary.

Which brings me to the article also in the Gazette on Friday about KCC plans to design their own hotel next door to the Turner Contemporary site. It seems ludicrous for a council to be designing its own landmark building next door to a key architect designed gallery. Why not encourage the development and revival of Margate and Cliftonville's fine boarding houses back to their former glory and returning them to the use that suits them best? Surely this would bring the most benefit to the streets and neighbourhoods in town rather than have them continue as HMOs and now the ever popular short sighted property developer staple of miniscule low quality flats that no one wants to live in. Isn't this what the Turner Contemporary is supposed to encourage? The revival and regeneration of the town?

And if a seafront hotel must be built (right in front of The Arcadian, The Fort Hotel and in view of The Nayland Rock) why would KCC design it themselves? What design credentials do they have for building a high quality building as opposed to a good architect?

My view is that if we need 100+ quality rooms throughout town and given the trend for people to want to stay in smaller, independent quality places, then Margate would have sufficient rooms available and these will be ready for the opening of the Turner. It would have the added bonus of regenerating streets and streets in the town and providing jobs and demand for services to support a revived tourist economy.

The article goes on to point out that there are funds available from the EU. This would give encouragement to owners of potential eyesores in town to bring them back into a viable use.

Monday, 25 May 2009

Urban Panel report

Friday's Isle of Thanet Gazette carried an interesting article on the English Heritage Urban Panel visit to Margate and subsequent report.

The Gazette reports that Chris Smith, the panel co-ordinator stated:
"The Georgian town built on the hill fields beyond the High Street puts Margate at the forefront of English seaside development and had Cecil Square and The Assembly Rooms survived intact, the image of the town today might well be different today.

The building that houses Thanet Council is so out of scale and over bearing as to drive the image of the rest of Cecil Square from the mind. The square has suffered badly from the non-negotiable demands of the highway engineer. Members felt that the re-creation of Cecil Square as a pedestrian dominated space of quality would offer a far better return for residents and visitors alike."

I couldn't agree more. Last week I went on a historic guided tour of Margate with the Margate Civic Society. It was really enjoyable and I'd recommend it. It was so interesting to get a new view of places and details that I pass in everyday life. One of the stops was on Cecil Square. Old photographs were passed around that showed a Thornton Bobby department store with wonderful ronate ironwork to the facade next door to the Natwest Building and that corner was an intact terrace of fine houses down to street level. There was no delivery arch into the corner, which I believe was put in later for M&S. It's so destructive the modifications that are made and then the businesses move on. Looking at the old pictures and then bothering to look up above the traffic it's clear the fabric of the beautiful square is still there. But that it is obliterated by the excessive widening of the road and the Council Offices and Court that tower over in extreme ugliness.

I remember someone telling me that the TDC building was built with no expense spared. Something about handmade bricks shipped in specially? I will have to do some research on this. If anyone has any pictures or knowledge of what was there before the ins and outs of the building of the current Council offices I'd be glad interested.

It isn't hard to imagine Cecil Square back to its former glory. If it was in any other european city it would be one of the main public squares of the town, fronted with shops, bars and cafes. Perhaps a weekly market. Instead it's a car park, duel carriageway and bustop with poor street furniture and inappropriate landscaping. It could be a welcoming place instead of a stressful environment.

It seems Margate officals were pleased with the panel's report in respect of Dreamland and the Turner Contemporary and Old Town. I need to research what plans are afoot for Cecil Square and also to track down the report. The Council is feeding back on the report on June 16th.

Thursday, 4 September 2008

Clifonville Baths granted listed status

English Heritage have granted Grade II Listed status the baths at the Clifonville Lido. From reading the report, I'm as yet unsure to the extent of the area covered by the listing and how this would affect any proposed development. Interestingly, I think this now affords greater importance to the local area of the Lido and Cliff Terrace. Any development adjacent will now have to be more closely scrutinised by the close vicinity to two listed sites.

Advisor's Report:

REMAINS OF THE CLIFTON BATHS AT CLIFTONVILLE LIDO,
ETHELBERT TERRACE, THANET
Date First Listed:
Formerly Listed As:
Case UID: 163598
Parish THANET
District THANET
County KENT
25-JAN-2008
Adviser: Mrs C Ryan

Advice Text: After examining all the papers on this file and other relevant information and having carefully considered the architectural and historic interest of this case, the criteria for listing are fulfilled.

RECOMMENDATION

CONTEXT
We have been asked to assess The Lido and Clifton Baths, Cliftonville for statutory listing. The
buildings have recently changed ownership and the existing Lido buildings and the remains of the earlier Clifton Baths underneath may be affected by a proposal to build a hotel on the site although a planning application has not yet been submitted. The owners commissioned a report from Canterbury Archaeological Trust which has informed this assessment.

The building does not group with any listed buildings but is situated within a designated
conservation area. Its assessment sits alongside a batch of cases within Margate which has figured prominently in English Heritage's major research project on the history and architecture of seaside resorts, culminating in the publications 'English Seaside Towns' and Margate's Seaside Heritage'.

HISTORY
The complex of buildings on the site are of two distinct phases: an early-C19 sea bathing
establishment, dating from 1824, called the Clifton Baths; and a C20 lido, dating from 1926, called the Cliftonville Lido from 1938. The structures are on four levels, the lower levels excavated from the chalk cliffs and only the upper level, on the landward side, above ground level.

Margate was in the forefront of sea bathing in the C18 with bathers taken into the sea in simple
carts before a fully developed bathing machine appeared there by 1753. This was ascribed to a
Quaker, Benjamin Beale, who added a modesty hood to the rear of a bathing machine, enabling
the bather to enter the sea unobserved and offering some protection from wind and waves. By
1793 a guide to Margate speaks of 30 to 40 bathing machines in use at a time. Bathing Rooms had been established at Margate in the 1750s to the south-west of the harbour from which the bather descended an external staircase on the seaward side into a waiting bathing machine to enter the sea. In 1791 the Quaker physician John Coakley Lettsom established "The Margate Infirmary, for the relief of the Poor whose Diseases require Sea-Bathing" which had its own bathing machine and later sea water baths.

The Clifton Baths were constructed between 1824-8 by John Boys at a cost of £15,000 and
excavated from the chalk cliff north-east of the harbour. An engraving of c1829 shows a Gothick
style fort-like structure with a massive arch at sea level, buildings above with lancet windows,
crenellated parapet and an obelisk-shaped chimney. A detailed description was published in 1830 by George Alexander Cooke, probably based on a visit three or four years earlier. A large domed circular chamber provided storage for 20 to 30 bathing machines which were brought down a curving tunnel to sea level when required. A tunnel also led to the lower reservoir used as a plunge bath for women and children. A horse pump forced sea water from the lower reservoir to the upper reservoir where it supplied the water for hot baths, the power supplied by a horse gin in the open air. An obelisk-shaped chimney served the boiler but was removed in the later C19. A Bathing Room divided into two wings, the north for gentlemen and the south for ladies, had seven hot baths, shower baths and hip baths but was later demolished. There was a Waiting Room which was also a reading and subscription room and a newsroom which also had an organ and billiard table. The upper terrace had round-headed alcoves, seats and benches for enjoying the sea views. A bathers' terrace was erected by 1831 and a second chimney was erected between 1833- 45.

In 1849 ownership of the Clifton Baths passed to John Boys' son, John Harvey Boys. A map of the Margate Sanitation survey of 1852 shows the subterranean plan of the Clifton Baths with the circular dome, a passage leading off to the north-east, a reading room, bathing room, reservoir, tank and horse pump and further subterranean passages. An engraving of circa 1860 shows a further obelisk-shaped chimney had been built by this date.

In 1869 the site was sold to Thomas Dalby Reeve who built a drill hall for the local Artillery
Volunteers and a boiler house with tall chimney. These are shown on Bacon's map of Margate of 1875. In 1876 electricity was used to generate ozone, believed to be beneficial to bathers. In the 1880s an indoor salt water swimming pool was provided at the north-east corner of the site. This appears on the 1907 Ordnance Survey map and survived until the mid-C20. By 1903 a cinema had been installed into the former Drill Hall, operational until 1929. In 1924 a theatre or concert hall was built east of the indoor swimming pool but was later demolished.
From 1926 onwards the Clifton Baths were re-modelled under John Henry Iles, a leading figure in the amusement park industry between the wars, who also owned the Dreamland Amusement Park.

It was turned into a large modern seaside complex with bars, cafes and restaurants on several
storeys and a large open air swimming pool built out into the sea. These buildings were built on to and over the existing Clifton Baths in a Neo-Classical style with Mediterranean influences, laid out over a series of terraces. The Clifton Baths boiler house chimney was adapted with the addition of a large sphere (probably intended to be a lamp), to be an advertising feature for the new complex.

The lido was a semi-circular shaped pool constructed of concrete which held 1000 bathers and
could be emptied and filled every day with the ebb and flow of the tide. At the landward end it had an amphitheatre for 3000 people and adjoining promenades and cafes. It had slides, diving boards and moored floats. The changing rooms, comprising lockers and timber changing cubicles, were located under the promenade and tiered seating of the open air swimming pool.The Cliff Bar was erected beside the sun terrace and the interior scheme was often re-decorated. The Cliff Cafe, which could seat 1000 people with entertainment provided by orchestras on a circular stage, was erected underneath the the Cliff Bar and much of the Sun Terrace. The Cafe Normandie was a large cafe where dances were held, destoyed by a great storm in 1953 and replaced by the Echoes Nightclub. The French Bar, in existence by 1933, was damaged by fire in 1953 and is now a small bar at the east end of Echoes Nightclub. In it is a painted timber doorway blocking the lower end of the earlier Clifton Baths bathing machine tunnel and next to this part of the flint retaining wall of the Clifton Baths Bathers Terrace. The Jolly Tar Tavern, to the south of the Cafe Normandie used the blocked up mouth of the Clifton Baths lower reservoir as an arched alcove behind the bar. Under the Cafe Normandie was constructed the Cafe Basque by 1929 which had plaster scenery. Currently this is inundated at high tide. On the upper terrace, the south range, west of the boiler house had 50 private bathrooms providing ozonised sea or fresh water treatments. By 1929 hair dressing salons had been erected at the west end of the range, currently in use as a snooker club.

In 1938 the Clifton Baths were renamed the Cliftonville Lido. After the Second World War, circa 1948, the private bathrooms in the south range of the lido were closed and replaced by an aquarium and mini-zoo, a billiard hall and by 1949 a puppet theatre. During the storm of 1953 the open air swimming pool was damaged and the Cafe Normandie wrecked and replaced by the Golden Garter saloon, used for a Wild West type show. By 1962 a nightclub called the Cavern Disco had been established in the dome. By circa 1965 the Cliff Bar was re-decorated with a Caribbean theme and renamed the Jamaica Bar. Circa 1971 the Cavern Disco was renamed the Hades discotheque. In the late 1970s the Echoes Nitespot replaced the Golden Garter Saloon. A turf accountants was built by 1974 above the bar at the west end of the south range. The open air pool closed in 1977-8 and was filled in with sand.

DESCRIPTION
Most of the structures above ground level are buildings constructed for the lido, with the exception of the eastern building of the south range, which is the remains of a circa 1870 drill hall with attached boiler house and chimney. This is a stuccoed single-storey building with blocked round- headed arch with a taller boiler house, both with C20 replaced felted roofs. At the western end is a tall, tapering, square brick chimney with moulded top and base to which was added, in the early C20, a multi-faceted sphere and additional raised panels to provide a striking advertising sign for the lido. The oriignal lettering was replaced some time between the 1960s and 1980 and the beacon was repainted and reglazed in 2003. The remainder of the south range and the west side comprises an L-shaped range of buildings mainly erected in the 1920s for the new lido in a Neo- Classical style, stuccoed with hipped pantiled roofs. At the eastern end is a rusticated archway with flat arch and hipped pantiled roof. Adjoining is a low single-storey range with an off-centre projecting and taller entrance, again with a hipped pantile roof. The range has projecting piers defining the bays, one of which is decorated with a mosaic picture from circa 2000, and at the western end a taller flat-roofed entrance to a snooker club. The junction of the L-shaped range is split by a wide flight of steps up to street level and the two ranges are connected by two pantile-roofed angled pavillions, joined by a pantiled roof across the steps supported on a Tuscan column. Attached to the north-western pavilion is the Cliff Bar, a single-storey stuccoed building with projecting central canted entrance bay with cornice and brackets, rusticated piers and two mosaic panels, also from circa 2000. On the north side, overlooking the sea, is a detached 1920s shelter comprising four Tuscan corner columns supporting a hipped pantiled roof. The western wall of the Cliff Bar drops sharply to sea level and is of three storeys, the bar forming the top level with the former Cliff Cafe below and former Cafe Basque below this. There are 6 bays divided by piers to the two lower levels, rusticated to the base and plain above, and later C20 windows to the top floor. The penultimate bay to the south has a projecting cambered arch, approached up a flight of steps, and projecting pilasters with blank panels. The northern bay is similar. The north (seaward) side of the complex is of two to three storeys high. The west bay is three storeys high and defined by rusticated or plain pilasters with rusticated centre with a round-headed arch to the first floor and a flat arch to the ground floor. The remainder is plainer with rusticated piers defining the bays. The lower level comprised changing rooms for the lido. The tiered concrete terraces of the lido are attached to the north as are the large horseshoe-shaped concrete lido walls. The centre of the seaward side has a large concrete panel with curved top and circa 2000 mosaic. This panel is not shown in a photograph of 1928 but the concrete plinth may be a remaining part of the original diving tower.

Few original internal features remain to the lido buildings as they were frequently refurbished. The Cliff Cafe retains the remains of the stage with four fluted columns and shield but the columns and piers in the remainder of the room have been stripped down, for example losing the Ionic capitals. The Echoes nightclub has a 1970s refurbishment replacing at least two earlier decorative schemes. The changing rooms retain a tiled entrance, wooden changing cubicles and tiled freshwater plunge bath, foot bath and showers.

However, internal features also remain from the 1820s Clifton Baths, such as the circular chamber for storing bathing machines. This is a brick lined chamber, 42 feet (12.8m) in diameter, with eight round-headed arches with a thin brick stringcourse at impost level and alcoves, some lined with chalk blocks, in which the bathing machines were stored. The floor was constructed about ten feet (3m) above high water level. The circular shape made it easier for turning horses. Originally there was a domed roof 33 feet (10m) high which protruded above ground level. This was truncated in the 1920s when the above ground lido buildings were built, and a concrete curved staircase and gallery were added after 1962 when the space was used as a nightclub. From the eastern alcove a wide chalk block lined tunnel with vaulted roof about 100 feet (30.5m) in length, 13 feet (3.96m) high and 10 feet (3m) wide, leads to the beach and was used for bringing bathing machines to and from the beach pulled by horses. The mouth of the bathing machine tunnel is now blocked by a doorway in the French Bar where, looking west, can be seen the flint revetment wall of the bathers' terrace. Halfway along the bathing machine tunnel a straight tunnel, the entrance tunnel, leads west. This was used by both staff and patrons and was wide enough for small vehicles. Only the curving lower portion is currently accessible, the rest cut off by C20 alterations. From the west alcove a curved staircase tunnel constructed of chalk-block walls with segmental brick vaulted roof and thirty four steps provided access to ground level for foot passengers and survives in a mutilated condition. At the north-west end a straight horse pump tunnel, 120 feet (36.5m) long lined in brick with some knapped flints, communicated with the horse pump supplying sea water from the lower reservoir to the upper reservoir. Almost immediately leading off the northern wall of the horsepump tunnel is a further narrower curved brick-lined tunnel, called the reservoir tunnel, leading to the lower reservoir. The lower reservoir is a rectangular vaulted chamber about 80 feet (24.4m) long by 18 feet (5.5m) wide, slightly wider at the outward north western end and with a rounded eastern end. It was open to the air at the far end through a huge archway. The reservoir was cut directly into the chalk with a high semi-circular vault of large chalk blocks but the south-west wall has been extensively revetted in brick. It is thought that the reservoir walls were originally lined to a certain height with cement. A wide blocked cambered arch to the exterior is now visible in the former Jolly Tar Tavern. It is possible John Boys' self-acting valves or other features may survive within the brick-lined apron at the north-west end.

ASSESSMENT
Surviving culture and recreation buildings of pre-1914 date are likely to have rarity value and
warrant serious consideration for listing. Much greater selectivity is applied to the period between the First and Second World Wars. Criteria include architectural quality, the quality of internal and external decoration, including sculpture and murals, historical associations, novelty and rarity in surviving examples of popular culture and intactness.

The surviving parts of Clifton Baths, constructed between 1824-8, are an early and rare example of a seabathing establishment. Quebec House in Portsmouth of 1754 (listed Grade II) is the earliest surviving example but it was built on a domestic scale and is now a house. Nos. 2 and 4 High Street, Swanage, Dorset (Grade II) was built in 1825 as baths, billiard and coffee rooms but is now Conclusion: The remaining structures of the early-C19 Clifton Baths, all currently below ground, are recommended for statutory listing. The later-C19 drill hall, boiler house and chimney and the structures of the C20 Cliftonville Lido, including the earlier boiler house chimney adapted to provide advertising signage are not recommended for statutory listing becase of the degree of alteration although they have local historical interest in domestic use. Pelham Place in Hastings, built 1824-8 (Grade II) originally included seawater
baths but these have not survived. An example in Cromer of circa 1828 is also now in domestic
use. Two examples from the 1830s, Allonby House in Allonby, Cumbria of 1835 and The Bath
House at Ilfracombe, Devon of 1836 (both Grade II) have impressive Neo-Classical fronts but have been converted into residential use. The earliest surviving seawater bath appears to be the small marble hot brine bath of c1845 at Shanklin, Isle of Wight (listed Grade II) originally situated in the c1817 fisherman's cottage nearby. The Clifton Baths retains an early and rare survival of a seawater plunge bath, (the lower reservoir) and the only known structure in the country purpose-built to store bathing machines and convey them to the beach (the dome and bathing machine tunnel). The Clifton Baths is unique also as the only known example of a seabathing establishment to be dug out of the cliffs which altered the existing topography. While little survives in stylistic terms, given the overbuilding of the lido, the original choice of a Gothick style was very much of interest, and contributed to the picturesque, scintillating enjoyment of the bathing experience; this does remain in the way the baths exploit the cliffside, maintaining an element of mystery and pleasure as well as the interaction with nature. The 1920s and later Cliftonville Lido buildings would, had they survived intact with lido, terraces,
restaurants and bars, cinema, concert hall and theatre, zoo and aquarium have comprised a
remarkably comprehensive range of inter war seaside entertainment buildings in stylish Neo-classical buildings. Sadly the existing buildings have suffered from degradation of architectural details and been the subject of constant internal re-fitting and the lido itself was damaged in the storm of January 1978 and subsequently filled with sand. The adapted circa 1870 Clifton Baths boiler chimney became a striking iconic advertising sign to the later lido but unfortunately it has been altered since the 1920s, the original lettering to the chimney replaced between the 1960s and 1980 and the beacon repainted and reglazed in the summer of 2003.
Reasons For Designation Decision: The surviving parts of the Clifton Baths are recommended for designation at Grade II for the following principal reasons:

* Constructed between 1824-8 this is one of the earliest surviving seawater bathing
establishments in the country, only two listed examples being earlier in date, both of which were later converted to residential accomodation.
* The lower reservoir is probably the earliest surviving seawater plunge bath in the country;
* The circular chamber and bathing machine tunnel of the Clifton Baths are the only known
examples of purpose-built structures built to store bathing machines and convey them to the
beach;
* The Clifton Baths is the only known example of a sea bathing establishment which was dug
out of the cliffs, altering the existing topography.

COUNTERSIGNING
First Countersigning Adviser: Dr P Stamper
Second Countersigning Adviser: Ms E Gee
Comments: Agreed.
This is a special survival indeed. Extensive research by Canterbury
Archaeological Trust, together with fulsome English Heritage research into the architecture of
the seaside, and ongoing work into the specific history of bathing huts by an outside historian
provides a very clear context in which to make our assessment. This early-C19 architectural
infrastructure to enable a health andpleasure filled experience of sea bathing is a very
interesting survival and that it remains in Margate, with its own claims to earliness in seaside
terms provides additional interest. Even with the losses set out in our advice, the internal
survival certainly renders it listable at Grade II. While characterful, particularly the trademark
chimney, we are not recommending the inter-war lido buildings above, given the degree of
alteration and the much more rigorous context in which such buildings must be assessed.
30-APR-2008
Comments: Agreed. List surviving early C19 parts of Clifton Baths. The structures at Margate
are a rare survival from the early days of sea-bathing, their complexity reflecting the
investment made by its promoters at Margate. By contrast, the lido structures are much later,
and elsewhere survive in a much more complete condition. The Margate lido structures should
not be listed.
09-APR-2008
HP Director:
Comments:

Proposed List Entry

ETHELBERT TERRACE
MARGATE
REMAINS OF THE CLIFTON BATHS AT
CLIFTONVILLE LIDO

Seabathing baths. The Clifton Baths were constructed between 1824-8 by John Boys at a cost of
£15000, excavated from the chalk cliff north-east of Margate harbour. The Gothick style exterior of flint and stone was mainly overbuilt by buildings of the Cliftonville Lido, constructed from 1926 onwards, which are not of special interest. The remaining features of the Clifton Baths are below ground level, excavated out of the chalk cliffs, lined in brick or chalk blocks with some knapped flint visible.

PLAN: Comprises a circular chamber for the storage of bathing machines with eight alcoves from which passages lead off to the east, west and north-west and a further passage, leading off the north side of the north-west passage, leads down to the large rectangular Lower Reservoir designed as a plunge bath for females and children.

DESCRIPTION: The circular chamber is brick lined in Flemish bond and is 42 feet (12.8m) in diameter with eight round-headed arches with a thin brick string course at impost level and alcoves, some lined with chalk blocks, in which bathing machines were stored. The floor was constructed about ten feet (3m) above high water level. The circular shape made it easier for turning horses. Originally there was a domed roof 33 feet (10m) high which protruded above ground level. This was truncated in the 1920s when the above ground lido buildings were built, and a concrete curved staircase and gallery were added after 1962 when the space was used as a nightclub. From the eastern alcove a wide chalk block lined tunnel with vaulted roof about 100 feet (30.5m) in length, 13 feet (3.96m) high and 10 feet (3m) wide, lead to the beach and was used for bringing bathing machines to and from the beach pulled by horses. The mouth of the Bathing Machine Tunnel is now blocked and the original opening can be seen in the French Bar of the later Cliftonville Lido, which also preserves the flint revetment wall of the Bather's Terrace of the Clifton Baths. Halfway along the Bathing Machine Tunnel a straight tunnel, the
entrance tunnel, leads west. This was used by both staff and patrons and was wide enough for small vehicles. Only the curving lower portion is currently accessible, the rest cut off by C20 alterations. From the west alcove a curved Staircase Tunnel constructed of chalk-block walls with segmentel brick vaulted roof with 34 steps provided access to ground level for foot passengers and survives in a mutilated condition. At the north-west end a straight Horse Pump Tunnel 120 feet (36.5m), long lined in brick with some knapped flints, communicated with the horse pump supplying sea water from the lower reservoir to the upper reservoir. Almost immediately in the northern wall of the Horse Pump Tunnel is a further narrower curved brick lined tunnel, called the Reservoir Tunnel, leading to the Lower Reservoir. The Lower Reservoir is a rectangular vaulted chamber about 80 feet (24.4m) long by about eighteen feet (5.5m) wide, slightly wider at the outward north-western end and with a rounded eastern end and
originally open to the air at the far end through a huge archway. The reservoir was cut directly into the chalk with a high semi-circular vault of large chalk blocks but the south-west wall has been extensively revetted in brick. It is thought that the reservoir walls were originally lined to a certain height with cement. A wide blocked cambered arch to the exterior is now visible in the Jolly Tar Tavern of the Cliftonville Lido. It is possible that John Boys' "self-acting valves" or other features may survive within the brick-lined apron at the north west end. Other features of the Clifton Baths may survive beneath 1920s and later structures of the Cliftonville Lido which were superimposed on the earlier fabric.

HISTORY: Margate was in the forefront of sea bathing in the C18 with bathers taken into the sea in simple carts before a fully developed bathing machine appeared there by 1753. This was ascribed to a Quaker, Benjamin Beale, who added a "modesty" hood to the rear of a bathing machine, enabling the bather to enter the sea unobserved and offering some protection from wind and waves. By 1793 a guide to Margate speaks of 30 to 40 bathing machines in use at a time. Bathing rooms had been established at Margate in the 1750s to the south-west of the harbour, from which the bather descended an external staircase on the seaward side into a waiting bathing machine to enter the sea. In 1791 the Quaker physician John Coakley Lettsom established "The Margate Infirmary for the relief of the Poor whose Diseases require Sea-Bathing" which had its own bathing machines and later sea water baths.

The Clifton Baths were constructed between 1824-8 by John Boys at a cost of £15,000, excavated from the chalk cliff north-east of the harbour. It is estimated that the total quantity of the chalk excavated and removed was 40,000 cubic yards (30,584m3). An engraving of circa 1829 shows a Gothick style fort-like structure with massive arch at sea level, buildings above with lancet windows, crenellated parapet and an obelisk-shaped chimney. A detailed description was published in 1830 by George Alexander Cooke, probably based on a visit three or four years earlier. A large dome provided storage for 20 to 30 bathing machines which were brought down a curving tunnel to sea level when required. A tunnel also led to the Lower Reservoir used as a plunge bath for women and children. A horse pump forced sea water from the Lower Reservoir to the Upper Reservoir where it supplied the water for the hot baths, the power supplied by a horse gin in the open air. An obelisk-shaped chimney served the boiler but was removed in the later C19. A Bathing Room divided into two wings, the north for gentlemen and the south for ladies, had seven hot baths, shower baths and hip baths but was later demolished. There was a waiting room which was also a reading and subscription room and a
newsroom which had an organ and billiard table. The Upper Terrace had round-headed alcoves, seats and benches for enjoying the sea views. A bathers' terrace was erected by 1831. A second chimney was erected between 1833-45.

In 1849 ownership of the Clifton Baths passed to John Boys' son, John Harvey Boys. A map from the Margate Sanitation survey of 1852 shows the subterranean plan of the Clifton Baths with the circular dome, a passage leading off to the north-east, a reading room, bathing room, reservoir, tank and horse pump and further subterranean passages. An engraving of circa 1860 shows a further obelisk-shaped chimney had been built by this date.

In 1869 the site was sold to Thomas Dalby Reeve who built a drill hall for the local Artillery Volunteers and a boiler house with tall chimney. These are shown on Bacon's map of Margate of 1875. In 1876 ozone baths were produced by an electrical process and in the 1880s an indoor salt water swimming pool was provided at the north-east corner of the site. This appears on the 1907 Ordnance Survey map and survived until the mid-C20. By 1903 a cinema had been installed into the former Drill Hall which was operational until 1924. In 1924 a theatre or concert hall was built east of the indoor swimming pool but was later demolished.

From 1926 onwards the Clifton Baths were re-modelled under John Henry Iles, a leading figure in the amusement park industry between the wars, who also owned the Dreamland Amusement Park in Margate. The site was turned into a large modern seaside complex with bars, cafes and restaurants on several levels and a large open air swimming pool projecting into the sea. These buildings were built onto and over the remaining parts of the Clifton Baths in a Neo-Classical style with Mediterranean influences, laid out over a series of terraces. From 1938 the name was changed from the Clifton Baths to the Cliftonville Lido.

SOURCES:
Peter Seary, "The Cliftonville Lido, formerly the Clifton Baths, Margate". A Canterbury Archaeological Trust Report of October 2007.
Allan Brodie and Gary Winter, "England's Seaside Resorts". English Heritage (2007) ps 104-5.
English Heritage, "Margate's Seaside Heritage" (2007)
Janet Smith, "Liquid Assets" English Heritage (2007) ps 70-71.
Nick Evans, "Dreamland Remembered" 2005 Edition. P 85-111.

Thursday, 15 November 2007

Cliff Terrace in her prime circa. 1900




Thanks to a secret admirer, we get to see how 14-15 Cliff Terrace looked in her prime in this original postcard. The postcard is from 1900 and shows the ground floor as a pastry cook and confectioner shop. Next door at 13 and 12 are clearly high quality shops at the same period. Which adds to the argument that they have enough historical history as shops for them to remain so.

Monday, 12 November 2007

Back for more. Listed Building Consent Application for 14-15 Cliff Terrace

So, it seems the developer is intent on pushing through the proposal to convert the recently listed tea room buildings at 14-15 Cliff Terrace, Margate. An application has been made for Listed Building Consent (L/TH/07/1527) at TDC. Sadly, the consultation process seems to be lacking yet again. There is no site notice in the vicinity of the site and the application, which is a requirement for applications that concern listed buildings. The application has so far also not turned up on the UK Planning site. A Stage 1 complaint has been lodged with TDC. We'll see what if anything that produces. The consultation for this application ends November 29th. The case officer is Cherry Butcher 01843 577634 cherry.butcher@thanet.gov.uk

TDC have replied stating:

We would welcome any comments that you may have regarding the proposed works. I would like to clarify that a site notice will be posted on site within the next week, giving a further 21 days consultation, and an advert has been placed in the Thanet Extra.

As with all applications, the plans are available to view at the Council offices, and additionally are published online within 5 days of the date of the letter notifying you of this application, which should be by tomorrow. Essentially the plans remain as per the planning application, and a Design and Access Statement relating to the listed building has also been submitted. If you have any difficulty in accessing these plans please do not hesitate to contact me.

So, we shall see...

Monday, 5 November 2007

She's Listed!

I've been away from this blog for a while. Sorry about that. But my return comes with good news. The grand old lady, the tea rooms of 14 & 15 Cliff Terrace, Margate, are now Grade II listed. This means that she has been deemed to be a"particularly important building of more than special interest". Listed planning consent will have to be applied for in addition to the planning permission granted (TDC, in their wisdom, did pass the previous application under delegated powers) before any work may commence. So far, there's been no activity on site, so we shall wait and see what happens. The windows and the use of the ground floor as a business are now afforded increased protection.

The report from English Heritage is testament to what we have in Margate that is worth preserving:

CONTEXT
We have been asked to assess 14-15 Cliff Terrace for listing alongside 12-13 Cliff Terrace (see separate case UID: 164702). The buildings are the subject of a planning application, due for determination in the coming weeks, which proposes their conversion to 10 flats and entails the demolition of parts of the building and the erection of a three storey extension to the rear. 12-15 Cliff Terrace are in the Margate Conservation Area. English Heritage was advised that there was a threat of pre-emptive demolition if we notified the owners about the application to list the buildings; as a result no internal inspection has been possible.

HISTORY
Cliff Terrace dates from the early-C19 and was originally an L-shaped terrace with five three storey houses running north-south, perpendicular to the seafront, and further houses running east-west. These Georgian buildings survive, albeit much altered, at Nos. 10-13 Cliff Terrace. In the mid-C19, possibly in 1852 when records suggest the terrace was redeveloped, No. 14-15 Cliff Terrace was rebuilt to create prominent corner building which survives today. This was no doubt to take full advantage of the panoramic sea views offered by the site. The work was certainly
completed before the early 1870s and historic maps of that date show the terrace's new terminus at No. 14-15 Cliff Villas. It is likely that the new buildings were rooms for boarding, demand for which had been generated by Margate's booming popularity as a seaside resort. Internal inspection may reveal how each of the rooms were accessed, most likely off a central staircase and landings. The fascia and consoles of the shops appear to be original suggesting there were never ground floor
residences; indeed late-C19 directories reveal that one of the shops housed W H Strand, a florist and fruitier.

Margate is a town of great significance in the history of the English seaside resort. Alongside Scarborough, Whitby and Brighton, it has a claim to be the country's first seaside destination and was certainly the first resort to boast sea water bathing facilities. Margate's terraced houses are an important component of its history and the town was the first to reinterpret the squares of Georgian London in a seaside setting: Cecil Square was built by 1769, followed by Hawley Square in the 1770s. The terrace endured as the principal domestic form in Margate throughout the C19.

Recommended Grade: II

Outcome: Yes, list particularly along the seafront where that most coveted feature in holiday accommodation - the sea view - necessitated the high density development that terraces provided. Many of Margate's terraces are very fine and in their architecture they reflect the popularity and prosperity of the town in the Georgian and Victoria periods. A number are listed for this special architectural and historic interest including Buenos Ayres of c1803, Fort Crescent of 1825-30 and Royal Crescent of the
1850s (all Grade II).

DESCRIPTION
Nos. 14 -15 Cliff Terrace is a four-storey plus attic block in red brick and is mid-C19 in date and character. The most impressive feature of Nos. 14-15 Cliff Terrace is the dramatic fenestration: two large, three-storey oriel windows dominate each of the two seaward elevations. Barely any brickwork is visible, aside from the last bay on the north elevation, suggesting that an unusual structural approach may have been used in the building's construction to allow for the almost blanket coverage of the elevations with windows. The oriels are four-light windows with moulded timber mullions, dentil cornices in the entablatures and, on the upper two storeys, segmental or triangular pediments. The lights contain sash windows, the outer ones using curved glass, and all are original. The ground floor contains traces of C19 shop fronts including consoles and a fascia with dentil cornice. Much of the rest of the shop fronts is later work. The elevations are terminated by a bracket cornice and the attic storey with dormer windows and three ranges of chimney stacks.

ASSESSMENT
Increasingly greater selectivity is required when recommending terraced houses built after 1840 for listing due to the great numbers that were built and that survive. Over the mid to late-C19, terraced housing became the preserve of the lower middle classes and upmarket terraces, which tend to be of greater architectural interest, were concentrated in places where dense development was required such as the seaside (in resorts like Teignmouth, Devon or Saltburn, North Yorkshire) or newly laid out areas of cities (Pimlico in London and Park Place in Sunderland are examples). Generally where high quality developments of terraced housing such as these survive, particularly with a strong townscape or streetscape context, they merit listing (most of the terraces mentioned above are listed at Grade II). The requisite quality and distinctiveness is certainly present at 14-15 Cliff Terrace: the red brick Queen Anne-style elevations with classical detailing are lively and the height of the building is notable, reflecting the need to maximise the provision of rooms for boarding along the seafront. Even more remarkable is the fenestration, which is exceptionally extensive, even in the seaside context. Surprisingly, none of the windows have been replaced in plastic and the consistency of the original timber sashes is noteworthy. The building is of special interest in epitomising two of the
principal characteristics of seaside architecture: building tall and building to exploit seaviews. Advances in construction techniques which allowed more extensive fenestration along with the arrival of plate glass enabled Victorian developers to take advantage of this seaside location to a fuller extent than their Georgian predecessors, who built the much smaller and more conventional houses alongside No. 14-15 Cliff Terrace. The final point is drawn out further by Cliff Terrace's westerly neighbour, the Grade II-listed 1-24 Fort Paragon, a terrace of 1830 which was refaced in 1853. The proximity of the two rows shows the very different approach to seaside terrace building in the Georgian and Victorian eras: in comparison to the oriel-windowed 14-15 Cliff Terrace, which is clearly tailored to take advantage
of the seaside site, the balconies of Fort Paragon are the only concession to the location. Whereas Cliff Terrace has two prominent seaward elevations, only the east façade of Fort Paragon is articulated. Together, the two terraces illustrate two important phases in the development of

Margate as a seaside resort in the late-C18 and C19 and Cliff Terrace has group value with Fort Paragon. Houses of the Victorian era are underrepresented on the Margate list. Whereas the majority of pre-1840 terraces where a significant proportion of the original fabric remains are listed, even some of the high quality developments of the 1850s and later have no statutory protection through designation. 14-15 Cliff Terrace is one such example, a distinctive and characterful Victorian building which evidences some of the architectural fashions and constructional developments of that era, which is clearly worthy of listing.

CONCLUSION
14-15 Cliff Terrace are recommended for listing for their special architectural and historic interest and group value.

Summary of Importance:
14-15 Cliff Villas are recommended for listing for the following principal reasons:
* the red brick Queen Anne-style elevations with classical detailing are lively and the height of the building is notable, reflecting the need to maximise the provision of rooms for boarding along the seafront
* even more remarkable is the fenestration, clearly tailored so that holiday boarders could enjoy much-coveted sea views;
* the consistent survival of the original timber sashes and glazing is noteworthy;
* 14-15 Cliff Terrace also has strong contextual interest, standing in contrast to and having group value with the Grade II-listed Fort Paragon.

GV II
CLIFF TERRACE
No. 14 & 1515-OCT-2007
End of terrace building, mid-C19, with later alterations particularly to ground floor shops.

EXTERIOR: Nos. 14 -15 Cliff Terrace is a four-storey plus attic block in red brick and is mid-C19 in date and character. The most impressive feature of Nos. 14-15 Cliff Terrace is the dramatic fenestration: two large, three-storey oriel windows dominate each of the two seaward elevations. Barely any brickwork is visible, aside from the last bay on the north elevation, suggesting that an unusual structural approach may have been used in the building's construction to allow for the almost blanket coverage of the elevations with windows. The oriels are four-light windows with moulded timber mullions, dentil cornices in the entablatures and, on the upper two storeys, segmental or triangular pediments. The lights contain sash windows, the outer ones using curved glass, and all are original.
The ground floor contains traces of C19 shop fronts including consoles and a fascia with dentil cornice. Much of the rest of the shop fronts is later work. The elevations are terminated by a bracket cornice and the attic storey with dormer windows and three ranges of chimney stacks.
164760 Case UID: Proposed LBS UID: 504191
Proposed List Entry



More info on English Heritage's Seaside Heritage project here

Sunday, 30 September 2007

Building at Risk? 12-15 Cliff Terrace

The collection of Victorian buildings at 12-15 Cliff Terrace is one of Margate's most striking landmark sites. The site was originally a tearoom with diners seated on the first floor, enjoying the amazing sea views. The ground floor seafront outlets were shops and a cafe.

12-15 Cliff Terrace

Situated at the corner, opposite the soon to be re-developed Lido, the building is one of Margate's seafront properties that has, until now, survived intact. The building has been under the same family ownership since the 1940's, and has stood empty for well over a decade and the deterioration of the site has been cause for concern.

IMG_7587.JPG

The corner building has beautiful protruding curved glass sash windows covering almost the entire elevations.

There was, until last week, an intact, original chemist's shop on the side complete with original bespoke wooden shop fittings. The fact a shop interior survived so long is pretty amazing, given the frequency retail outlets undergo change of occupancy. Sadly, the chemist shop interior I photographed two weeks ago has now been removed.The loss of the shop interior while English Heritage were assessing the building for spot listing does not bode well for the future preservation of the site.

intact chemist shop interior
Chemist Shop Interior September 8th 2007

destroyed chemist shop interior
Chemist Shop Interior September 30th 2007

Many local people thought its future conservation had been safeguarded with Thanet District Council's threat in June 2006 of a Compulsory Purchase Order (CPO). However, the CPO was put on the back burner and a local developer, believed to be Jim Ward of Ramsgate FC, has submitted planning permission to convert the entire site to 10 flats. The application is actually by Ward Renovation and Construction Limited, which at the time of writing is not a registered UK limited company.

Many pointed to the fact that being situated in a designated Conservation Area, that this would somehow ensure the buildings' unique features be protected in the future. This is sadly not the case. Conservation Areas are unable to preserve interiors. The removal of the chemist shop interior that has now happened is a sad representation of this. If the building were listed then this would have protected the shop units and also ensure that the fenestration is exempt from having to comply with the necessary building regulations when converting into new flats.

The loss of the shopfronts and units to residential is a sad loss for the area for such a prominent, key seafront site. Shops rarely make ideal residential homes for the occupants and they also negatively impact on the streetscape. The application also contains extensive modification to the shop fronts, which given the detail of the original frontages that have survived, such as the blinds and canopies and curved glass frontages, will have a negative impact on the site.

shop frontage

Given the site's location on the seafront at the gateway to Cliftonville and directly opposite the Lido, the proposed loss of retail and commerical space at street level seems totally inappropriate. Examples of Margate's cultural heritage that have survived should be protected as something to be proud of. There is the example of the seabathing hospital development that has proven that Margate can sustain high quality residential development and refurbishment of a listed building. Here it seems the core aims of the Council's Empty Property scheme, who have worked over the years to bring the building back into use, to be out of step with buildings of architectural significance and of the Council's own regeneration aims for the area as a whole.

The upper floors would make ideal apartments given the seafront location. But there is a strong case that the ground floor retail outlets should be preserved. What vision is there for Margate if a viable use for seafront commerical space in one of the key regeneration areas, opposite a major development site cannot be envisaged?

The planning application reference is F/TH/07/0947. It can still be viewed and comments submitted online by visiting UK Planning and popping in 07/0947 on the Thanet Council page . There have been recent amendments to the application in the last week or so, however, they still propose to convert the shops into flats. The changes to the shopfront elevations include the removal of the original blinds and canopies and the extensive bricking up of what was previously a shopfront. One hopes that this site can be lovingly restored to its former glory and return to a place of pride at the gateway to Cliftonville.

The case officer at English Heritage assessing the site for spot listing is Mr Mike German. He can be contacted by email at mike.german@english-heritage.org.uk or by phone:
020 7973 3113.

Thursday, 27 September 2007

Seaside Architecture Project

In contrast to the Independent's Margate love article (like I said, don't get me wrong. I love Margate). Mary O'Hara wrote a more down to earth piece in the Guardian. The piece also centers on the soon to be released English Heritage project on seaside architecture. The author, Allan Brodie - a senior investigator for English Heritage has spent the last five years studying the state of British seaside resorts. Brodie states that:

"Margate is a good example of how small-scale, targeted, locally-coordinated projects can help inspire a turnaround."
I had heard that a presentation of the project would be held at the Theatre Royal. Nothing confirmed yet.